Matthew Hamilton, Line Producer, used POP’s Production Portal to digitally manage crew contracting, onboarding and distribution with auditability on Mammoth Screen’s Endeavour and The Forge Entertainment’s Ackley Bridge.
Automating calculations for the PACT/Equity agreement for Supporting Artists.
Are you crewing up? Check out these featured Production Office Crew, from POP’s Crew Community, who are currently or soon to be available for their next show. All featured crew are experienced in HETV scripted drama and/or feature film.
Our Insights module allows production companies to unlock the actionable insights in their data to proactively grow, manage and protect their company. Our first suite of reports are live, in the areas our production company partners told us they had real need: rates overview, estimated cost to complete, Nations and Regions, contract and right to work (RTW) compliance, starters and leavers and tax and IR35 compliance reporting.
On the January 1st 2020 new PACT/Equity rates will come into affect for productions working outside the PACT/FAA zone.
Currently the United Kingdom will be leaving the European Union on 31 October 2019 without a deal. Government and regulatory bodies are clear in their warning; prepare your business now for a no-deal Brexit.
Christine Mulryne joins POP to drive the future of production after a decade at the BBC, and total funding hits £4M/$4.95M for the venture backed technology startup.
The PACT/FAA rates for Supporting Artists were updated on 1 March 2019.
Thinking of applying to be a POP Background Artist? In the middle of your application? Here are a few GIFs to convey all the feels!
Thanks to the advent of HBO and Netflix, TV shows now have the muscle and the money to match up to large scale Hollywood movie productions. Which of course, heats up the competition and adds pressure on producers to make shows that somehow stand out in the sea of a million, all of which are available on demand. They are countering the competition with a no-holds barred policy when it comes to spending money. Here’s a quick look at the crazily high figures that go into the production of our favourite shows.
