What story is the data telling about how we tell stories?
Here’s where we shine the spotlight on the brilliant people behind-the-scenes who bring stories to life day in and day out.
Here’s where we shine the spotlight on the brilliant casting agents and agencies who are powered by POP.
Our team are, unsurprisingly, TV and film fanatics. Forever discussing our favourites, the latest and greatest, and the nostalgic oldies. With a team as diverse as ours in nationalities and backgrounds, it’s an amazing way to discover new content outside of your go-to or what Netflix suggests! So we decided to share our team’s picks - let us know if you agree with our choices, or have others to offer on Twitter.
Welcome to our Creative Spotlight Series - shining the spotlight on the brilliant people behind-the-scenes who bring stories to life day in day out.
On the face of it, there is no industry in the world that has been more embracing of technology. 3D, CGI, digital distribution, IMAX, it would seem from at least the audience’s point of view that the Film and TV industry is a tech savvy place. This was certainly my expectation when I joined POP earlier this year as Head of Product.
Below is an overview of the various UK union and organisational rates for Supporting Artists.
I know this is unconventional for a Monday morning. But bear with me.
2017 has been an exciting year for film. Box office records have been smashed (‘It’ became the highest grossing horror movie of all time), the Oscars were won by
La La Land Moonlight, and Disney bought… well, what didn’t Disney buy?
With 2017 coming to a festive close, the POP team have been thinking about the films they enjoyed the most over the last 12 months.
The Halloween period is with us again. The time of year pumpkin sales skyrocket, spooky themed nights are on tv, and horror themed blog posts are rampant.