Here’s where we shine the spotlight on the brilliant people behind-the-scenes who bring stories to life day in and day out.
Christine Mulryne joins POP to drive the future of production after a decade at the BBC, and total funding hits £4M/$4.95M for the venture backed technology startup.
The PACT/FAA rates for Supporting Artists were updated on 1 March 2019.
There are new changes to the law which will affect all companies employing extras across film and TV.
What story is the data telling about how we tell stories?
Here’s where we shine the spotlight on the brilliant people behind-the-scenes who bring stories to life day in and day out.
Here’s where we shine the spotlight on the brilliant casting agents and agencies who are powered by POP.
Our team are, unsurprisingly, TV and film fanatics. Forever discussing our favourites, the latest and greatest, and the nostalgic oldies. With a team as diverse as ours in nationalities and backgrounds, it’s an amazing way to discover new content outside of your go-to or what Netflix suggests! So we decided to share our team’s picks - let us know if you agree with our choices, or have others to offer on Twitter.
Welcome to our Creative Spotlight Series - shining the spotlight on the brilliant people behind-the-scenes who bring stories to life day in day out.
On the face of it, there is no industry in the world that has been more embracing of technology. 3D, CGI, digital distribution, IMAX, it would seem from at least the audience’s point of view that the Film and TV industry is a tech savvy place. This was certainly my expectation when I joined POP earlier this year as Head of Product.
